Topsfield, MA: Salem House, 1988.
Still appalled at Nixon's evasions, Steadman comes at the US in fighting mode, spewing venom and with a distinctly paranoid and jaundiced view of the police and politicians.
He might have got from his collaborations with Hunter S. Thompson, of course.
Despite the unrelenting gloom, there is some marvellous drawing.
Jacket has slight creasing to upper edge, otherwise perfect.